There’s a first time for everything

Everything, the universe-spanning, philosophically-minded game from developer David OReilly is the first video game to qualify for an Academy Award. According to a tweet from OReilly, his game earned the Oscar nod after winning the Jury’s Prize for Animation at the Vienna Shorts Festival.

A press release by theVienna Shorts Festivalstates that OReilly’s work on an 11-minuteshort film/trailerforEverythingtook home the prize because “beyond being entertaining [it] has a strong poetic and philosophical theme. It serves a highly educational purpose, including an important political statement, that encourages to let our egos dissolve and gain a new perspective on the world.” That’s high praise for a video game.

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Cool: Everything just qualified for an Academy Award, making it the first time this has happened to a game/interactive projectpic.twitter.com/5SQVD9s960

— David OReilly (@davidoreilly)June 12, 2025

The ghost at the end of the hallway

It’s a big deal to see a game make it onto the Oscars “Longlist.” It’s an even bigger deal considering just how strangeEverythingis. OReilly’s work allows players to control thousands of different “objects” — ranging from microscopic organisms to buildings, and even planets — to explore the existential philosophy of Alan Watts and the notion of a “universal oneness.”

If its philosophical leanings and film snob approval makeEverythingsound a bittoomuch, don’t worry. It’s still a silly, weird game. Destructoid’s Josh Tolentinodescribedit as “a mellow, less aggressive take onKatamari DamacyorNoby Noby Boy.” Now that’s what I call culture.

Picking up the smiley face post-it off the broken mirror

John and Molly sitting on the park bench

Close up shot of Marissa Marcel starring in Ambrosio

Kukrushka sitting in a meadow

Lightkeeper pointing his firearm overlapped against the lighthouse background

Overseer looking over the balcony in opening cutscene of Funeralopolis

Edited image of Super Imposter looking through window in No I’m not a Human demo cutscene with thin man and FEMA inside the house

Looking at the ghost of Jackie inside the lighthouse