Memento mortis

Did I ever tell you that as a child I was fascinated with the idea of ghost ships? Well, I was — and I guess you could say that I still am in one way oranother.

I grew up reading about the accounts of mysterious vessels like theMary Celeste; a merchant brigantine found sailing the Atlantic, on course for the Straight of Gibraltar with no one left aboard. I found the idea of an abandoned or derelict vessel intriguing. What became of the crew? Why was she left fully stocked with food and provisions?

Article image

You may remember that we ran a story last May on Lucas Pope’s newest project,Return of the Obra Dinn, a first-person mystery presented in a pointedly retro aesthetic. While well known for his dystopian document thrillerPapers Please, Pope ventures into strange new visual territory in his latest endeavor.

To avoid spoiling thedemo, I’ll leave off in saying that Pope has managed to successfully scratch the itch I mentioned in the introductory paragraphs, but in a unique way I wouldn’t have predicted.

John and Molly sitting on the park bench

Keep in mind that if you play the demo, this is a very early build without much content and it hasn’t been fully tested. Even in this bare-bones state, I still found the title compelling and can’t wait to learn more about it.

Close up shot of Marissa Marcel starring in Ambrosio

Kukrushka sitting in a meadow

Lightkeeper pointing his firearm overlapped against the lighthouse background

Overseer looking over the balcony in opening cutscene of Funeralopolis

Edited image of Super Imposter looking through window in No I’m not a Human demo cutscene with thin man and FEMA inside the house

Indie game collage of Blue Prince, KARMA, and The Midnight Walk

Close up shot of Jackie in the Box

Silhouette of a man getting shot as Mick Carter stands behind cover